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26-Jul-2016 23:29

(Synge) A LITERARY MAP OF IRELAND 5 0 mile s i Source: 1 the author. writing from of t a l e n t 1880 and until had b e e n s e i z e d by — f o r the George R u s s e l l such (who Gregory, and J. o f prime importance, interesting the Irish increasing landscape. Place, 2 especially heart of i n t h e sense o f t e r r i t o r y of a l l nationalism, and w i t h particularly 1916.

(viii) The swan h a s l e a p e d i n t o That image the d e s o l a t e heaven: can b r i n g w i l d n e s s , b r i n g To end a l l t h i n g s a rage . the c h i e f surge of ( i f s u c h movements c a n be the Second World even genius figures begin- or renaissance, a golden p e r i o d of appeared, b e f o r e , t o g i v e I r i s h w r i t i n g an enjoyed i t i s an the crimson i n E n g l i s h which l a s t e d around t h a n by through which the path t w i s t e d , a of i t , " revival i n t h e company o f itself it, even looking of h i s fellow writers literary But E v e n Moore, w a l k i n g a l o n g Moore and h i s c o l l e a g u e s formed Irish the pause gathered i n D u b l i n a t the n i n g o f t h e c e n t u r y , were t a l k i n g breech well a I t i s a r a r e moment amongst a l l t h e g o s s i p o f a n e c d o t a l n o v e l about that of freckled with t h e r e a d e r s u s p e c t s t h a t Moore, a s a t i r i s t fact George "the p u r p l e beauty c o t t a g e s o f t h e p e a s a n t r y " , ^ he d r e a m e r s , was at Irish writer, over a g a i n s t the rocky p l a i n s reflect. a sense o f I r i s h important Thus p l a c e the I r i s h imagination therefore the and t h e w r i t e r s n a t i o n a l i t y by i n t e r t w i n i n g p l a c e Ireland of o r motherland, of the r e v i v a l to Irish literary literary revival, an i m p o r t a n t to Irish both of the leaders of part of the w r i t i n g Not a l l t h e i n f l u e n c e o f movement on t h e n a t i o n a l i s t movement was due t o t h e influence n o r by any means was t h e l i t e r a r y on t h e n a t i o n a l i s t movement — I r i s h w r i t i n g and I r i s h t h a n they have y e t r e c e i v e d .

THE SWAN THE LITERARY THE I N THE DESOLATE HEAVEN IMAGE I D E O L O G Y OF OF P L A C E AND IRISH NATIONALISM by COLIN B.

A., THESIS WOLFE University of Dublin, 1978 SUBMITTED IN PARTIAL FULFILMENT THE REQUIREMENTS FOR T H E D E G R E E MASTER OF OF ARTS in THE F A C U L T Y OF Department We accept to THE this GRADUATE o f Geography thesis the required UNIVERSITY Colin as conforming standard OF B R I T I S H August c STUDIES COLUMBIA 19 81 Wolfe, 1981 In p r e s e n t i n g this thesis in partial f u l f i l m e n t of the r e q u i r e m e n t s f o r an a d v a n c e d d e g r e e a t t h e of B r i t i s h Columbia, I agree that it freely the L i b r a r y s h a l l a v a i l a b l e f o r r e f e r e n c e and s t u d y .

Many of the works of the Irish literary revival possess an unusually strong sense of place — it was a literary movement which sought to emphasise Ireland and Irish themes. Synge and others became part of the nationalism of militant revolutionaries such as Patrick Pearse, leader of the Irish insurrection of Easter 1916 — important in Irish history because it shifted the dominant expression of nationalism from constitutionalism to militancy.

The selectivity and imagination of the writers, particularly because of the romantic and mythological heritages stressed in the revival, resulted in a representation of the Irish landscape -- indeed a vision of Ireland -- which is rich in symbol, association, and image. It was through the use of force rather than through constitutional methods that a separate Irish nation was established in 1922. Firstly, place is an experience of the imagination -- of association, of memory, and of image.

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thesis, small hours, Many the Ley criticism patient stimulating a tremendous truth.

Our personal and cultural histories are important in this experience of place, which is therefore both subjective and intersubjective.

The sense of place in literature is often particularly expressive of this power of association and imagery — perhaps, because of its concentrated form, especially in poetry.

and difficult students precise blend memories years especially Campbell, they who were g a v e me.

in To associ- extended was Vancouver I would really me, which and have being For i s a place times were ultimate beneficiary made my perhaps friendship my of the other people worthwhile, was typist.

thesis, small hours, Many the Ley criticism patient stimulating a tremendous truth.

Our personal and cultural histories are important in this experience of place, which is therefore both subjective and intersubjective.

The sense of place in literature is often particularly expressive of this power of association and imagery — perhaps, because of its concentrated form, especially in poetry.

and difficult students precise blend memories years especially Campbell, they who were g a v e me.

in To associ- extended was Vancouver I would really me, which and have being For i s a place times were ultimate beneficiary made my perhaps friendship my of the other people worthwhile, was typist.

This Ireland of the imagination was also attractive and powerful enough to become part of Irish nationalist ideology. Secondly, literature is important in shaping that imagination because of its symbolism and its power in creating imagery.